{"id":3425,"date":"2025-05-25T22:10:14","date_gmt":"2025-05-25T20:10:14","guid":{"rendered":"https:\/\/mathilde-wauters.be\/?post_type=mec-events&#038;p=3425"},"modified":"2025-05-25T22:36:52","modified_gmt":"2025-05-25T20:36:52","slug":"recital-berlaar-classical-6","status":"publish","type":"mec-events","link":"https:\/\/mathilde-wauters.be\/fr\/evenements\/recital-berlaar-classical-6\/","title":{"rendered":"La Symphonie Fantastique de Berlioz"},"content":{"rendered":"<p>Terwijl Richard Wagner aan &#8220;Tristan en Isolde&#8221; werkte, componeerde hij een liederencyclus gebaseerd op de teksten van zijn geheime geliefde Mathilde Wesendonck. Vooral het slotlied &#8220;Tr\u00e4ume&#8221; (Dromen) heeft sterke thematische en muzikale verwijzingen naar de tweede akte van de opera, waarin Tristan en Isolde hun grenzeloze liefde voor elkaar onthullen. De \u201cgrote emoties&#8221; van de opera inspireerden de gevierde sopraan Rachel Willis-S\u00f8rensen om zangeres te worden; de beste voorwaarde om de emoties van Richard en Mathilde te vertolken. Wagners liederen worden afgewisseld met muzikale droomvisioenen van Franse componisten. In Claude Debussy&#8217;s meesterlijk georkestreerde &#8220;Pr\u00e9lude \u00e0 &#8216;L&#8217;Apr\u00e8s-midi d&#8217;un Faune'&#8221; zweven de sensuele gedachten van de faun tussen werkelijkheid en fantasie in de zwoelheid van een warme middag. Het onvervulde verlangen naar liefde van de hoofdpersoon in Hector Berlioz&#8217; &#8220;Symphonie fantastique&#8221; escaleert zelfs tot gruwelijke waanbeelden. Andris Nelsons, een van &#8217;s werelds meest gevraagde dirigenten, leidt het M\u00fcnchner Philharmoniker op deze reis door beelden van verlangen en droomwerelden.<\/p>\n<p><button><a href=\"https:\/\/www.mphil.de\/konzerte-und-karten\/kalender\/konzerte\/debussy-wagner-berlioz-2025-06-14-4596\">Meer info<\/a><\/button><\/p>","protected":false},"excerpt":{"rendered":"<p>Het onvervulde verlangen naar liefde van de hoofdpersoon in Hector Berlioz&#8217; &#8220;Symphonie fantastique&#8221; escaleert zelfs tot gruwelijke waanbeelden. Andris Nelsons, \u2026<\/p>","protected":false},"author":3,"featured_media":2133,"comment_status":"open","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_members_access_role":[],"_members_access_error":""},"tags":[],"mec_category":[7],"class_list":["post-3425","mec-events","type-mec-events","status-publish","has-post-thumbnail","hentry","mec_category-concerten"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Berlioz\u2019 Symphonie Fantastique - Mathilde Wauters<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mathilde-wauters.be\/fr\/evenements\/recital-berlaar-classical-6\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Berlioz\u2019 Symphonie Fantastique - Mathilde Wauters\" \/>\n<meta property=\"og:description\" content=\"Het onvervulde verlangen naar liefde van de hoofdpersoon in Hector Berlioz&#039; &quot;Symphonie fantastique&quot; escaleert zelfs tot gruwelijke waanbeelden. 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